Bruce Lee

Bruce Lee (Chinese: 李小龍; conceived Lee Jun-fan, Chinese: 李振藩; November 27, 1940 – July 20, 1973) was a Hong Kong American military craftsman, activity film performer, hand to hand fighting teacher, scholar, filmmaker and the organizer of Jeet Kune Do. Lee was the child of Cantonese musical drama star Lee Hoi-Chuen. He is generally considered by observers, commentators, media and other military specialists to be a standout amongst the most powerful military craftsmen of all time,[4] and a popular society symbol of the twentieth century. He is frequently attributed with changing the way Asians were displayed in American films.

Lee was conceived in Chinatown, San Francisco on November 27, 1940 to guardians from Hong Kong and was brought up in Kowloon with his family until his late high schoolers. He was acquainted with the film business by his dad and showed up in a few movies as a tyke performing artist. Lee moved to the United States at 18 years old to get his advanced education, at the University of Washington, at Seattle and it was amid this time he started showing hand to hand fighting. His Hong Kong and Hollywood-created movies raised the conventional Hong Kong hand to hand fighting film to another level of ubiquity and praise, starting a surge of enthusiasm for Chinese combative technique in the West in the 1970s. The bearing and tone of his movies changed and affected combative technique and hand to hand fighting movies in the United States, Hong Kong and whatever is left of the world.

He is noted for his parts in five full length movies: Lo Wei's The Big Boss (1971) and Fist of Fury (1972); Golden Harvest's Way of the Dragon (1972), coordinated and composed by Lee; Golden Harvest and Warner Brothers' Enter the Dragon (1973) and The Game of Death (1978), both coordinated by Robert Clouse. Lee turned into a famous figure known all through the world, especially among the Chinese, as he depicted Chinese patriotism in his films. He prepared in the specialty of Wing Chun and later joined his different impacts from different sources, in the soul of his own hand to hand fighting logic, which he named Jeet Kune Do (The Way of the Intercepting Fist). Lee held double nationality of Hong Kong and the United States. He kicked the bucket in Kowloon Tong on July 20, 1973 at 32 years old.

Jeet Kune Do 

The Jeet Kune Do image is an enlisted trademark held by the Bruce Lee Estate. The Chinese characters around the Taijitu image read: "Utilizing no chance to get as way" and "Having no restriction as impediment" The bolts speak to the perpetual cooperation amongst yang and yin.

 Jeet Kune Do 

Jeet Kune Do began in 1967. Subsequent to taping one period of The Green Hornet, Lee ended up out of work and opened The Jun Fan Institute of Gung Fu. The disputable match with Wong Jack Man impacted Lee's logic about hand to hand fighting. Lee reasoned that the battle had kept going too long and that he had neglected to experience his potential utilizing his Wing Chun methods. He took the perspective that conventional combative technique methods were excessively inflexible and formalistic, making it impossible to be down to earth in situations of riotous road battling. Lee chose to build up a framework with an accentuation on "common sense, adaptability, velocity, and productivity". He began to utilize distinctive strategies for preparing, for example, weight preparing for quality, running for perseverance, extending for adaptability, and numerous others which he always adjusted, including fencing and fundamental boxing procedures. 

Lee underlined what he called "the style of no style". This comprised of disposing of the formalized methodology which Lee guaranteed was characteristic of customary styles. Lee felt the framework he now called Jun Fan Gung Fu was even excessively prohibitive, and in the long run advanced into a theory and military craftsmanship he would come to call Jeet Kune Do or the Way of the Intercepting Fist. It is a term he would later lament, in light of the fact that Jeet Kune Do suggested particular parameters that styles indicate; though the possibility of his military workmanship was to exist outside of parameters and limitations.